Department of Romance Languages
University of Georgia
Winner of the 2007 South Atlantic Modern Language Association Studies Book Award.
From Split to Screened Selves is a study of recent autobiographies by French and Francophone African writers and filmmakers, all of whom reject simple first-person narration and experiment with narrative voice and form to represent fragmented subjectivity. In the book, I investigate autobiography across media, from print to photography and film, as well as across the colonial encounter, from France to Francophone North and West Africa. Reading works by Roland Barthes, Nathalie Sarraute, Cyril Collard, Assia Djebar, David Achkar, and Raoul Peck, I argue that autobiographical film and African autobiography, subgenres that have until now been overlooked or dismissed by critics, offer new and important possibilities for self-representation in the twenty-first century.
Revised reprint in Italian Neorealism and Global Cinema. Eds. Laura E. Ruberto and Kristi M. Wilson. Wayne State University Press, 2007. 187-206.
